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Taylor Swift Crowns Sabrina Carpenter as Summer’s Breakout Star After Electrifying Eras Tour Performance – See Their Exclusive Backstage Moments!

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Taylor Swift Crowns Sabrina Carpenter as Summer’s Breakout Star After Electrifying Eras Tour Performance – See Their Exclusive Backstage Moments!

 

Taylor Swift has declared it the ‘Summer of Sabrina’ Carpenter.

 

Taylor Swift Crowns Sabrina Carpenter as Summer’s Breakout Star After Electrifying Eras Tour Performance – See Their Exclusive Backstage Moments!

The Espresso singer, 25, has two songs in Billboard’s Top 10 – including the #1 song – and she’s sold out her entire Short n’ Sweet tour.

‘and just like that you guys sold out the entire short n’ sweet tour, espresso went #1 at pop radio andddddd i slid down this slide :’) thank you all so so much!!! i can’t wait to see you on the road,’ she captioned the post.

Sabrina – who recently released the video for Please Please Please starring her boyfriend Barry Keoghan – shared this news on Instagram alongside a few photos of herself in a glamorous green dress with cutouts at her slender waist.

The Bejeweled singer, 34, was quick to comment, writing: ‘SUMMER OF SABRINA AND MAY IT CONTINUE FOREVER,’ with an angel emoji.

Swift’s comment has been liked almost 200,000 times as of this writing and had comments of it’s own.

‘Mother has spoken,’ one person wrote, while another pointed out, ‘BABE DIDNT YOU JUST FINISH A SHOW.’

And that commenter had a point as the LOML hitmaker did perform at Johan Cruijff Arena in Amsterdam on the Fourth of July.

She is set to perform three shows at the venue, continuing through Saturday, July 6.

Taylor is in the thick of her record-breaking worldwide Eras tour.

In May, designer Christian Louboutin shared that he made more than 250 pairs of shoes— which generally sell for around $1,000 — for the production.

Chatting with Vogue, the 61-year-old footwear architect dished, ‘When working for performers, it’s better to start with a very large number of styles that will end up in a selection of designs which seem the best for the stage.’

It was also shared that he dreamed up 60 new pairs of shoes for the pop star to take on the European leg of her successful tour.

Hundreds of strass crystals were used in the collection and Louboutin noted, ‘I’ve learned a few magic tricks to make sure the silhouette still looks great with shoes being 100% easy to perform in.’

He added, ‘I learned at Les Folies Bergère [that] lights on stage are very strong and tend to flatten any surface.’

The But Daddy I Love Him singer introduced a new section of her concert in early May, after releasing her The Tortured Poets Department album in April.

While performing in Paris, she revealed that she had been working on The Tortured Poets Department portion of her tour since last year.

‘We started planning this surprise for you about eight or nine months ago and then when we got “two months off” of the Eras Tour, we really didn’t take any time off at all.

‘We just went directly back into rehearsals. So I’d like to give it up for my crew, my dancers, and my band,’ she said during a break in the music.

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Swift lashed out at Minaj’s claim of the industry ‘rewarding’ white women at the ‘expense’ of black artists when she tweeted, “Maybe one of the men took your slot.” This exchange sparked a broader conversation about racial dynamics in the music industry and Swift’s own privilege. In the aftermath, critics began pointing out a narrative of ‘white victimhood’ in Swift’s career. Later on, the Lover hitmaker accepted that this incident was eye-opening for her. “A lot about how my privilege allowed me to not have to learn about white privilege,” Swift explained. “I didn’t know about it as a kid, and that is privilege itself, you know? And that’s something that I’m still trying to educate myself on every day.” This insight made Swift consider her prior deeds and public image. In addition, being so active on social media, she realized, had made it seem like everyone deserved a window into every part of her life. “I created an expectation that everything in my life that happened, people would see,” she admitted. Constantly sharing every detail of her life online backfired. It turned her into a target for tabloids and fans who dissected everything she did, and she ultimately realized her image was not in her control. No matter the choice she would make, public opinion on it would vary; damned if she did, damned if she didn’t. It was in this regard that Swift told The Guardian, “I’m kinda used to being gaslit by now. And I think it happens to women so often that, as we get older and see how the world works, we’re able to see through what is gaslighting.” Besides, the summer of 2016 was brutal also because of a public fight she had with Kanye West and Kim Kardashian about a lyric in his song Famous. Kardashian uploaded edited clips online, and the backlash against Swift exploded on social media, turning the tide of opinion against her. It left her feeling like everyone was against her and completely misconstrued the situation. When people are in a hate frenzy and they find something to mutually hate together, it bonds them. And anything you say is in an echo chamber of mockery,” Swift explained, describing why she chose not to defend herself publicly at the time, as per The Guardian. The constant criticism and scrutiny took a toll on Swift. She found herself in a no-win situation. “Oh my God, they were mad at me for smiling a lot and quote-unquote acting fake. And then they were mad at me that I was upset and bitter and kicking back,” she recalled. Needless to say, 2016 was a rough year for Swift. Between the public feuds and the constant pressure, she just needed some space. She stepped back from social media and all the attention, realizing things weren’t quite balanced between her life and her music. This break also opened her eyes to issues of privilege and social justice. “How can I see where people are coming from, and understand the pain that comes with the history of our world?” she asked herself.
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